The Hi-Z front panel input uses the same discrete class-A FET with transformer topology as the Rupert Neve Designs RNDI, but it utilizes the new RN4012 input transformer directly into the microphone preamp for gain. By manipulating the Texture control, the amount of Silk can be changed from essentially absent, to roughly 4-5% THD (mostly second order) depending on how hard the output transformer is being driven. Red Silk accentuates the musical harmonic saturation from the mid and high frequencies, while Blue Silk accentuates harmonics from the low and low-mid frequencies. Silk reduces the negative feedback on the output transformer, adding harmonic content as the texture is increased. Pushing the Silk button cycles the Silk modes from Red to Blue to OFF.
BLUE EQ FULL
What is diode bridge compression? Where the VCA compressor found in the Master Buss Processor provides unmatched clarity, the weighty, harmonically rich tonality of diode bridge compression can be essential in pushing key sources like vocals, electric guitars, bass and drums to the forefront of a mix.īy understanding the limitations of vintage units like the legendary 2254, painstaking effort was taken to reproduce the unique tone of these classics while improving the noise floor & accuracy, expanding inflexible time constants, adding full wave sidechain detection for improved dynamic response, and widening the range of threshold and ratio controls.ĭelivering the powerful sound of these iconic designs with enhanced flexibility for the modern age, the Shelford’s diode bridge compressor is a dynamic tool equipped to make a statement on virtually any mix or track. Two channels or midrange was an excellent idea, i was very surprised by this pedal.” (USA, Nov.Like the Inductor EQ and Transformer Gain microphone preamp, the Diode Bridge Compressor in the Shelford Channel is based on the same topologies found in Rupert’s vintage designs – but refined & adapted for the modern engineer. I was able to dial in a thick midrangey sound with a tight bottom end and get the john mayer tones all the kids are going crazy for these days. This equalizer does not sound like a pedal it sounds like another amp channel. It sets itself apart from other equalizer pedals in that it is very quiet and very amplike. “This pedal is what i want my clean tone to sound like. Overall, this is a great eq and when I am ready to pull the trigger on an eq pedal, this will be a strong contender.” (USA, Nov. The left side worked great to bump the mids a bit for a boost. I could set the amp up for the Tele or Jazzmaster and then use the Never Blue when I switched to the Musicmaster to cut some bass and add a little treble. I think my favorite use was at the end of the chain to tweak for different guitars. I also used it in front of the Futureman to give it a boost, it was also great there.
![blue eq blue eq](https://img.emg-services.net/educations/education1020071/blueeq.jpg)
The Never Blue worked wonderfully in this application. “I’ve been looking at eq options recently, specifically to put behind my fuzzface (Foxrox CC Hybrid) to be able to get some different sounds. I played it alone using my neck pick-up and it really made my amp sparkle in a beautiful, non-harsh way…and I love this amp’s tone on its own!” (USA, Oct. The tone is somewhat warm but clear…kinda tube-like. “This was the first of the 4 pedals I tried and it impressed me immediately. It doesn’t quite turn the Twin to an AC-30, but it gives more that type of sound to make drives work completely different. I like using it to cut bass and boost mids/highs. I don’t think there is anyone who couldn’t find a use for this.
![blue eq blue eq](https://1.bp.blogspot.com/-Zk2e8n5EiMA/XdEsz2fhyNI/AAAAAAAClX8/AL20jjC7PYUmXmLehUHuztect2WdxI9SACLcBGAsYHQ/s1600/DSC04032-002.jpg)
The treble/bass/mids could be subtle, but as you push the volume on the pedal and guitar, it gets bigger and bolder without any woofiness or spikes anywhere…just smooth as can be, and it makes a bold amp like a Twin sound even bigger…” (USA, Oct. “This thing adds absolutely ZERO NOISE (like many EQ pedals do)…totally silent! Volume and girth were the added bonus of this box. Reviews from TGP BearFoot FX Tourbox Participants
![blue eq blue eq](https://www.eqmagpro.com/wp-content/uploads/2021/09/blue-versus-green-hydrogen.jpg)
Shipping fee will be added at checkout for all orders outside of USA.īearFoot FX brings you the NEW Never Blue Equalizer PLUS…a more versatile version of our Sky Blue EQ! It features two Volume knobs and two Mids knobs so you can quickly change the volume and/or EQ with the stomp of a switch! ORDER yours NOW!
![blue eq blue eq](https://thumbs.dreamstime.com/z/eq-iq-skill-concepts-businessman-eq-iq-skill-concepts-businessman-235073421.jpg)
The Never Blue EQ gets its name from British engineer Rupert Neve (pronounced “neev”) who invented some of the very best-sounding equalizers (and other recording equipment) EVER! Introducing the ALL NEW Never Blue Equalizer PLUS…a 2-switch version of our 4-Knob Sky Blue EQ that features 2 Volume and 2 Mids controls for fast EQ/volume changes !